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An enduring design even at the time of publishing in 2007, Jack Manning’s Stanley Point house is testament to a gentler place and time.
From September 2007: On an exposed site with a huge panorama, Strachan Group Architects (SGA) provides shelter and dissolves boundaries.
Take a look back at all of the Supreme winners from the last decade of the Interior Awards. From big spaces to small and refined designs to bold approaches – there has never been a dull moment.
NZIA Resene Student Design Award winner, Ben Tunui, discusses the ways in which elements of contemporary tikanga can expand and enrich the spatial vocabulary of Māori architecture.
Behind what appears to be a single house in a suburban neighbourhood, two homes offer enough flexibility for both households to enjoy their different stages of life.
When sustainable timber construction proves a challenge for installing conventional plumbing, Saniflo’s range of grey water pumps and lifting stations provides the ideal solution.
Touching the earth lightly, this off-grid house by Chrofi located in a beachside forest, displays the potential for prefabrication to deliver high-quality design in any location.
Jeremy Smith discovers the Wrightmann House in Christchurch, where considered architectural curatorship by Athfield Architects has given every wall a voice.
Gerald Parsonson’s holiday house at Paraparaumu, first published in 2007, is a triumph of substance over style.
In another 2007 project from Gerald Parsonson, an assured house at Peka Peka rides the dunes rolling inland from an untamed coast.
In Auckland’s most established suburb, Malcolm Walker demonstrates a deft touch with shape and space with this house from 2007.
Amanda Harkness explores the interior design of The Hotel Britomart – Cheshire Architects’ latest project in the downtown Auckland precinct – and discovers thoughtful craftmanship at every turn.
Video: The taonga was once a teeming system and is now a fragile ecology. Jobs for Nature is working to regenerate sacred lands and restore mana to the local community.
Chris Barton explores what The Hotel Britomart’s seamless exterior, laneway labyrinth and deconstructed ethos by Cheshire Architects bring to Auckland’s evolving downtown precinct.
Wrapped in charred timber cladding and hugged tightly by a lush suburban garden, this discreet addition to an existing cottage expertly balances function and folly.
Megan Edwards visits Patchwork Architecture’s award-winning project in Wellington and finds a playful, elegant and environmentally efficient architectural solution on a scrap of leftover hillside.
Integrated design firm Isthmus explores the evolution of this sacred place of immense historical, cultural and spiritual significance to the Mana Whenua iwi/hapū of Tāmaki Makaurau.
Taranaki-based architects Brady and Sarah Gibbons have been part of the growing architecture scene in this up and coming region since 2013. We explore some of their recent work.
This Graham Tipene work graces the entrance to the new South Atrium of the Auckland Museum. He tells us more about weaving traditional design with modern techniques.
Tucked behind an existing heritage home on a tight block with a south-facing yard, this generous addition offers light-filled, textured spaces with a natural, earthy palette.
In pastoral Waikato, RTA Studio employ vernacular forms to create an inland holiday house that was first published in 2007.
Tough materials and flexible spaces characterise Archimedia’s Hamilton house by the Waikato River, from the Houses magazine 2007 archives.
Strict conditions on a vulnerable coastal site lead Godward Guthrie to develop clever solutions in the design for this house from 2007.
This rear addition to a heritage cottage on a raised corner block sits in harmony with the existing structure and enhances its cherished “ramshackle” nature.
Leading architectural photographer and name behind several books chronicling the best of New Zealand’s environment, David Straight, recounts his favourite shoots to date.
Two recent restaurant additions to Auckland’s Commercial Bay boast some of the best public views of the civic precinct. Federico Monsalve discovers what sets them apart.
North of Auckland, Herbst Architects again produce a sophisticated response to climate and context in this house that we revisit from 2008.
With this project from 2008, Edwards White Architects creates a relaxed house in a Hamilton subdivision that is a model Kiwi family home.
Revisit this 2008 project where Antanas Procuta Architects (now PAUA) has some fun with an archetype in a Waikato farm manager’s house.
Take a look at our most popular houses of the year. From Otago to Northland, these residential projects have shown Kiwi architecture at its finest.
See our most-viewed commercial projects of the year. What’s trending: heritage refurbs, medium-density housing, activated public spaces and more.
Chris Barton discusses the whys and wherefores of Warren and Mahoney’s design decisions for Auckland’s Commercial Bay office tower and retail precinct.
A nuanced understanding of the context’s colourful heritage, as well as its local quirks and character, is embedded in this neighbourly family home.
Warren and Mahoney’s Mat Brown and Nick Deans chat about a new multi-residential project for the firm in Melbourne and what it can teach us about apartment living here in Aotearoa.
Christopher Kelly looks at the socially equitable, Jasmax-designed 26 Aroha and discovers the beginnings of our own Aotearoan culture of living closer together.
Take a look inside Te Ao Mārama, the South Atrium of the Auckland museum, which has been closed for 18 months and prepares to open its doors to the public on 3 December.
Architect Jack McKinney was the lead designer for Ahi at Commercial Bay. In this collaboration with Warwick Fabrics, he discusses some of the material and fabric choices for this eatery.
From the archives: Visit a home on a steep Wellington site, in an old part of town, where Parsonson Architects have designed a clever townhouse.
Xsite Architects’ zinc-clad house in a conservative Auckland suburb, first published in March 2008, stretches out to the sun and sea.
Andrew Sexton’s reworked bach on the Wairarapa coast is appropriately resistant to modern pretensions in this project from the 2008 archives.