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André Hodgskin reveals the many layers of complexity behind this campground-inspired home overlooking the Poor Knights Islands by Herbst Architects.
Designed for a family to share with their friends, this engaging coastal holiday house embodies a collective memory of time spent by the beach.
Chris Barton explores the religious expression embodied in the design of The Chapel of St Peter by Stevens Lawson Architects.
Soft boundaries create multipurpose spaces that reflect a young couple’s character while generous windows connect interiors with “domesticated wilds” around this home.
Taking cues from Maison de Verre – the “house of glass” – in Paris, the new addition to this home hosts a suite of tranquil living and reading spaces.
At her own Wanaka house, first published in 2008, Anne Salmond has turned simple sketched boxes into a comfortable home.
Fulton Ross Team Architecture’s Rangiora retreat relates to its site and local types, in this home that was featured in Houses magazine in 2008.
The original clients get back a Wellington house designed by the late Chris Brooke-White, one of the great characters of the 1970s, in this project feature from 2008.
Early New Zealand modernism, a respect for the sea views and a touch of golf inspired this pavilion – by architecture firm Box – on the shores of Mangawhai.
This house makes the most of a typical long, narrow suburban site, resulting in a family home whose grandest moments are stealthily concealed from the street.
Twin dwellings artfully coalesce in this flexible home, designed by Partners Hill with Hogg and Lamb, to provide a mother and son with moments of connection and agency.
A pared-back, utilitarian bach on Kawau Island by Crosson Architects draws on the quintessential shed typology for its inspiration.
Wellington architect Hugh Tennent demonstrates his sensitive craft in the Marlborough Sounds in this home that was first published in 2008.
A Wakatipu house benefits from Arrowtown architect Max Wild’s local knowledge in this project, which first appeared in Houses magazine in 2008.
Project lead designer for the recently opened New York Grill at Westfield Newmarket, Shamal Nanji, discusses some of the fabric choices for this hospitality space.
We interview Simon Devitt, one of New Zealand’s most successful and prolific architectural photographers, to hear about some of his favourite projects to shoot.
Interior solutions were used in this Christchurch campus to co-locate two, single gender schools and mitigate an age-old battle of the sexes.
Nestled against a ridgeline and taking in views to the distant peaks of the national park beyond, this new home is born of dedication and collaboration.
Take a first look at the newly-opened Saxon + Parole – the equestrian-themed American restaurant in Auckland’s Commercial Bay.
The telco’s new Christchurch headquarters by Sheppard & Rout Architects mimics and reflects its context and industry with its decorative and functional glass façade.
Linehouse – co-founded by New Zealander – proves hospitality spaces can have all the luxury of fine dining coupled with a dynamic food offering.
The firm’s Kathleen Kinney and Cathy Challinor discuss a Gisborne monument that has been reimagined to honour the first explorers to arrive in Aotearoa.
An angular concrete form is an architectural riff on the rocky crags and crevices that characterize the steep topography of this harbourside suburb.
Zespri’s new headquarters by Warren and Mahoney intertwines the language of the orchard with that of the corporate workplace.
ALIGNwork’s trans-generational beach house, first published in 2008, is a welcome sight at a very mixed development.
In this project from the Houses archives, Megan Edwards demonstrates her mastery of the bungalow extension in an older Auckland suburb.
In another project from the archives, a Mt Eden addition where Megan Edwards deftly engineers a twenty-first century lean-to.
First Light Studio has created a secondary dwelling in Wellington’s Petone that proves that considered design comes in all shapes and sizes.
Isthmus principal Nick Kapica explains the design for these international-award-winning installations in Auckland’s Hobsonville Point.
Christchurch-based architecture and nature photographer Dennis Radermacher discusses his favourite images and techniques for capturing a project.
Defined by its rectilinear parasol of timber batten, this house prioritizes clarity over pragmatism, geometric consistency over lavishness and poetry over function.
Jeremy Smith considers the compelling proposition of re-use in this poetic preservation of a South Island cabin by Anna-Marie Chin Architects.
B405, the Jasmax-designed UoA Faculty of Engineering mothership, is a building of two halves. Chris Barton comes to terms with it: inside and out.
Edged by an established garden and crowned by an undulating concrete roof-form, this home for collectors is a carefully cultivated expression in concrete and glass.
This award-winning Waiheke home by JDA Studio Architects offers a young family privacy, expansive views and a sophisticated see-through pavilion.
In 2008 near Wellington Heads, Novak & Middleton designed a solid house for a very discerning client: a fusion of Swiss client and Kiwi architect.
First published in 2008, this Tim Dorrington-designed beach house in the Far North is inspired by memories of holidays under canvas.
Robin O’Donnell balances prospect and protection on an Auckland clifftop site in this home from the 2008 archives.
Wellington-based architectural photographer Andy Spain shares his top five houses to shoot and revels in some favourite work stories.
Melanie McDaid explores the new Novotel Christchurch Airport, designed by Warren and Mahoney, which takes its cues from its geographic context.