Arata Isozaki wins 2019 Pritzker Prize

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Nara Centennial Hall.

Nara Centennial Hall. Image: Hisao Suzuki

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Ōita Prefectural Library.

Ōita Prefectural Library. Image: Yasuhiro Ishimoto

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MOMA Gunma.

MOMA Gunma. Image: Yasuhiro Ishimoto

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MOMA Gunma.

MOMA Gunma. Image: Yasuhiro Ishimoto

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Ōita Prefectural Library.

Ōita Prefectural Library. Image: Yasuhiro Ishimoto

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Domus: La Casa del Hombre.

Domus: La Casa del Hombre. Image: Hisao Suzuki

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Domus: La Casa del Hombre.

Domus: La Casa del Hombre. Image: Hisao Suzuki

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Tsukaba Center Building.

Tsukaba Center Building. Image: Yasuhiro Ishimoto

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Kitakyushu Central Library.

Kitakyushu Central Library. Image: Fujitsuka Mitsumasa

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Art Tower Mito.

Art Tower Mito. Image: Yasuhiro Ishimoto

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MOMA Gunma.

MOMA Gunma. Image: Yasuhiro Ishimoto

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Lucerne Festival Ark Nova.

Lucerne Festival Ark Nova. Image: Iwan Baan

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Ceramic Park Mino.

Ceramic Park Mino. Image: Hisao Suzuki

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Qatar National Convention Center.

Qatar National Convention Center. Image: Hisao Suzuki

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Arata Isozaki.

Arata Isozaki.

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Japanese architect, theorist and city planner Arata Isozaki has been named the Pritzker Prize Laureate for 2019 – the 46th winner of the award.

Arata Isozaki.

In its citation, the jury described Isozaki as “the first Japanese architect to forge a deep and long-lasting relationship between East and West.

“Possessing a profound knowledge of architectural history and theory, and embracing the avant-garde, he never merely replicated the status quo but challenged it.”

Born in 1931 in Ōita on the island of Kyushu, Isozaki was 14 when nuclear bombs fell on Hiroshima and Nagasaki, and this exposure to urban devastation would heavily influence his thinking in regards to cities and architecture. He described his first experiences with architecture as “the void of architecture, and I began to consider how people might rebuild their homes and cities.”

Isozaki graduated from the University of Tokyo in 1954 and then became an apprentice to 1987 Pritzker laureate Kenzo Tange. He established Arata Isozaki and Associates in 1963. The practice’s early projects include Ōita Prefectural Library, Expo ‘70 Festival Plaza in Osaka, The Museum of Modern Art in and the Kitakyushu Municipal Museum of Art in Fukuoka.

Lucerne Festival Ark Nova. Image:  Iwan Baan

His first international commission came in the 1980s for the Museum of Contemporary Art in Los Angeles. He would go on to design a range of major international projects, including the Qatar National Convention Centre, with its otherworldly, bulbous facade, and the Allianz Tower in Milan, which appears to delicately rest on four slender golden struts.

“Isozaki’s oeuvre has been described as heterogeneous and encompasses descriptions from vernacular to high tech,” said the jury. “What is patently clear is that he has not been following trends but forging his own path.”

In addition to architecture, Isozaki worked on a number of city planning projects, most recently in China and the Middle East. This interest in cities began in the 1960s with the “City in the Air,” a speculative design for a secondary city floating over Tokyo’s Shinjuku.

Qatar National Convention Center. Image:  Hisao Suzuki

The jury statement concludes: “Clearly, he is one of the most influential figures in contemporary world architecture on a constant search, not afraid to change and try new ideas. His architecture rests on profound understanding, not only of architecture but also of philosophy, history, theory and culture.

“He has set an example of generosity as he supports other architects and encourages them in competitions or through collaborative works.”

Isozaki will be presented with the prize at a ceremony held in the Château de Versailles in May.

This article first appeared on architectureau.com. 


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